elenamaria.conenna@comune.milano.it<\/a><\/small>[\/vc_column_text][vc_separator color=”peacoc”][vc_column_text]<\/p>\nRemo Salvadori<\/b><\/h3>\n
One of the greatest Italian artists of his generation who has made a name for himself on the European scene in addition, Remo Salvadori (1947) has developed, since the 1970s, a personal language linked to sculpture, installations and site-specific interventions. Founded on the interaction between the observer and elements such as water, color and metals, Salvadori\u2019s work is presented with a renewed formulation, one that is defined through alchemical mutations and flows of consciousness; and is able to offer a new awareness of oneself and the world. A work that, viewed from the perspective of the present day, serves as a bridge between the experience of Arte Povera and the aspirations that succeeded it.
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His creations are the vehicle and product of a constant attention to what surrounds him and to what he feels deep down to be in close relationship with reality. The attention paid to the time and space of the work, as well as of his own life, is interwoven with reflections on color, form, materials and modes of representation and observation.
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Salvadori showed his work for the first time in a solo exhibition at the Galleria LP 220 in Turin in 1971. Over the 1970s he held solo exhibitions in Milan, Bologna, Naples, Pescara and Munster. In 1982, he was one of the protagonists of the 40th Venice Biennale and of documenta 7 in Kassel. In 1986, he was at the 42nd Venice Biennale, at the Museum Voor Hedendaagse Kunst in Ghent with the group exhibition Chambres d\u2019Amis and at the Castello di Rivoli in Italy with Ouverture II. Towards the end of the 1980s he showed in solo and group exhibitions, in Canada, at the Art Gallery of Ontario in Toronto. During the 1990s, he participated in national and international events, such as the solo exhibition of 1991 at Le Magasin, Centre National d\u2019Art Contemporain in Grenoble, documenta 9 in Kassel and the 45th Venice Biennale. In 1997, he staged a solo exhibition at the Centro per l\u2019Arte Contemporanea Luigi Pecci in Prato. In the same year he took part in the exhibition Arte Italiana 1945-1995 staged in Nagoya, Tokyo, Tottori and Hiroshima, and in 1999 in Minimalia at the P.S.1 in New York. In 2003, he participated in the inaugural exhibition of the Mori Art Museum, Tokyo. In 2005, he held solo exhibitions at the Galleria Christian Stein in Milan and the Fondazione Querini Stampalia in Venice. In 2008-09, he was involved in the project Lives and Works in Istanbul, in the 2010 European Capital of Culture Istanbul, and the exhibition Semper at Palazzo Medici Riccardi, Florence. In 2012, he was present in the show Tridimensionale held at the MAXXI (Museo nazionale delle Arti del XXI secolo) in Rome, while in 2016, he staged solo exhibitions at the church of San Giacomo in Forli\u0300\u0300 and the church of the Madonna delle Lacrime in Carrara. In 2017, a solo exhibition of his work was held to mark the opening of BUILDING in Milan. In 2018, a major exhibition of his work was organized at the Stiftung Insel Hombroich, Neuss. In 2019, he won the President of the Italian Republic\u2019s Prize for Sculpture. In 2024, he realized several site-specific projects for Legoli, in Tuscany, as well as for the Venice Gardens Foundation at the monastery of Santissimo Redentore in Venice, while two solo exhibitions were staged simultaneously at the BUILDING and Christian Stein galleries in Milan.<\/small>[\/vc_column_text][vc_separator color=”peacoc”][vc_column_text]<\/p>\n
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